Quick Fire At The Slaughterhouse: Interview With Judy Penz Sheluk

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Judy Penz Sheluk is the author of The Hanged Man’s Noose. Her short crime fiction appears in World Enough and Crime (Carrick Publishing), The Whole She-Bang 2 (Toronto Sisters in Crime) and Flash and Bang (Untreed Reads). In her less mysterious pursuits, Judy works as a freelance writer, specializing in art, antiques and the residential housing industry; her articles have appeared regularly in dozens of U.S. and Canadian consumer and trade publications. Judy met me at The Slaughterhouse where we talked about her novel and literary influences.

Tell us about your novel.

JPSheluk-THMN-350x233-cvr photo JPSheluk-THMN-350x233-cvr_9781941295250_1.pngThe Hanged Man’s Noose is an amateur sleuth mystery with an edge. By that I mean that it has the usual small town setting, amateur sleuth as a protagonist, and there is no overt violence, sex, or bad language. But unlike a traditional cozy, there are no cats, crafts, or cookie recipes. Here’s a brief synopsis:

Small-town secrets and subterfuge lead to murder in a tale of high-stakes real estate wrangling gone amok.

Journalist Emily Garland lands a plum assignment as the editor of a niche magazine based in Lount’s Landing, a small town named after a colorful Canadian traitor. As she interviews the local business owners for the magazine, Emily quickly learns that many people are unhappy with real estate mogul Garrett Stonehaven’s plans to convert an old schoolhouse into a mega-box store. At the top of that list is Arabella Carpenter, the outspoken owner of the Glass Dolphin antiques shop, who will do just about anything to preserve the integrity of the town’s historic Main Street.

But Arabella is not alone in her opposition. Before long, a vocal dissenter at a town hall meeting about the proposed project dies. A few days later, another body is discovered, and although both deaths are ruled accidental, Emily’s journalistic suspicions are aroused.

Putting her reporting skills to the ultimate test, Emily teams up with Arabella to discover the truth behind Stonehaven’s latest scheme— before the murderer strikes again.

Who are your literary influences?

Early book influences include:
Emily Climbs by L.M. Montgomery (Anne of Green Gables), the story of Emily Star of
New Moon, PEI, who grows up dreaming of becoming a writer (and does). I received that
book as a Christmas gift and it’s one of only three books I have read more than once, and
that remains on my bookshelf after many moves.
In Cold Blood by Truman Capote. I read it when I was about 10, at a time before 24/7
news and our desensitization to violence through TV, film, video games etc. I can
remember thinking, WOW, so that’s how you describe a scene so people can “see” it
when they are reading. It’s also one of the three books I have read more than once and
I’ve watched the movie, Capote, starring Philip Seymour Hoffman, about a dozen times.
And of course, Nancy Drew (later graduating to Agatha Christie, John D. MacDonald, Ed
McBain and Ngaio Marsh).

Present day:
There are plenty of authors I read and admire, but my top two are:
John Sandford. I’m a huge fan of his Prey series (and to a lesser extent, his Virgil Flowers
series). No one does pacing through dialogue the way Sandford does it.
I’ve been reading Sue Grafton from the first time I read G is for Gumshoe. I backtracked
to A, and have made my way through the series. Kinsey Millhone might not age much,
but Grafton’s plots and storytelling continue to improve with every book.

What are you working on at the moment?

I’m currently working on the sequel to The Hanged Man’s Noose. In Noose, Emily
Garland, a freelance journalist, is the protagonist. In the sequel, Glass Dolphin antiques shop owner Arabella Carpenter will take the wheel, and Emily will be her sidekick. My plan is to have a different protagonist for each book in the Glass Dolphin Mystery series, but one book at a time.

I’m also working on a couple of short stories, with hopes of submitting them to a couple
of anthology callouts, but I’m a very slow short story writer, so I may not make the
deadlines. But I enjoy the challenge!

What else is on the cards for you this year?

I recently completed Skeletons in the Attic, the first in my Marketville Mystery series. I’m
hoping to get a publishing contract for that in 2016. I liked the idea of having two
separate series, and they are quite different. The Hanged Man’s Noose is told in the third
person with POV shifts. Skeletons is told in the first person, with a different cast of
characters, although Arabella Carpenter, the antiques shop owner in Noose, makes a brief
appearance.

I’ll be attending Malice Domestic at the end of April. It’s a mystery readers/writers
conference held in Bethesda, Maryland. I’ve never been to Malice, or to Washington, so
I’m really looking forward to it.

Beyond that, I’m really hoping to improve my golf game. Last summer I came close to
breaking 100. That’s the goal for this year! Life can’t be all about writing, can it?

Thank you Judy for an informative interview.

JPSheluk_auth-img photo JPSheluk_Auth Img_1.pngLinks:

Buy Links:
The Hanged Man’s Noose is available in trade paperback and eBook at all the usual suspects, including Amazon US and UK, Barnes & Noble Nook and paperback, Kobo, Chapters.Indigo, GooglePlay and iTunes, and directly from the publisher, Barking Rain Press.

Find Judy at http://www.judypenzsheluk.com, where she blogs about the writing life and interviews other authors.

You can also find Judy at:
Amazon Author: amazon.com/author/judypenzsheluk
Facebook: www.facebook.com/JudyPenzSheluk
Twitter: @JudyPenzSheluk
Goodreads: https://www.goodreads.com/author/show/8602696.Judy_Penz_Sheluk
Pinterest: www.pinterest.com/judypenzsheluk
Triberr: http://triberr.com/JudyPenzSheluk

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Quick Fire At The Slaughterhouse: Interview With Melissa Groeling

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Melissa Groeling grew up in New Jersey and now resides in the City of Brotherly Love. Only after she graduated from Bloomsburg University did she start to take her writing seriously. She’s a diehard New York Giants fan, loves chocolate and stalks cupcakes. Traffic Jam is her first young adult novel. Lights Out is her first dip into adult fiction. Melissa met me at The Slaughterhouse where we talked about her new release and the role of redemption in her writing.

Tell us about your novel.
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Lights Out is a dark and gritty tale that follows Paul Holten, an anti-hero if there ever was one. Except he doesn’t know he’s an anti-hero. He’s just trying to survive and he’s barely able to do that between a tyrannical boss hell-bent on keeping Paul under his thumb, a heavy case of night tremors and the demons lurking inside his head. With every breath, Paul wonders if dying would be easier. Until he meets Ethan, who conjures for the first time, the possibility of redemption. But with so much darkness and violence following him, can Paul even hope to achieve it?

How important are redemption and justice to your writing?

Oh, absolutely, especially redemption. I think that’s because of a subconscious need to correct things that are wrong–at least in my head. I know that sometimes makes any story seem unrealistic–you know, stories that tie up neatly in a bow–and we know that real life is hardly like that. But that’s why it’s called fiction!

Who are your literary influences?

Dean Koontz, Dean Koontz and did I mention Dean Koontz? I was constantly getting lost in his books when I was younger. He blended the right amounts of horror and humor, especially his earlier books. To this day, I still remember “Phantoms” as the one that kept me up at night. As I’ve gotten older, I’ve branched out more–Dan Simmons, Karin Slaughter, Stephen King (of course), Douglas Preston and Lincoln Child (their Pendergast series is so awesome). Anything that’s creepy and well-written is right up my alley!

What else is on the cards for you this year.

Well, I’m working on my next story called Choke Point. It’s a creepy story set for the new adult genre. I’ll be attending ThrillerFest this year and hope to pitch it while I’m there. I entered the Neoverse Short Story Writing Competition with a short story I wrote called, A Light in the Window and also took part in the “Women of Horror” anthology that should be available online in mid-March. Pretty excited about it!

Thank you Melissa for a great interview.

MGROELING_350x262 photo MGROELING-350X262_35336_1552778978216_1197397323_1500205_2564066_n.jpgLinks:

Get a copy of Lights Out at Amazon.com, Amazon.co.uk, Barnes & Noble, Smashwords and All Romance eBooks

Read more about Lights Out and find more buy links at Goodreads

Find Melissa Groeling on her blog, Facebook, and Twitter @stringbean10

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Quick Fire At The Slaughterhouse: Interview With Matt Hilton

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Matt Hilton quit his career as a police officer to pursue his love of writing tight, cinematic American-style thrillers. He is the author of the high-octane Joe Hunter thriller series. He has a new novel out featuring Tess Grey. Matt met me at The Slaughterhouse where we talked about his new release and the publishing landscape.

Tell us your latest news.

MHILTON_350x227_blood-tracksAfter publishing ten books – and a bunch of short stories – in my Joe Hunter thriller series, I felt it was high time to stretch my wings with some new ideas, and write something featuring brand new characters. I’m pleased to announce that the first in a new series has just been published by Severn House Publishers, called Blood Tracks. Readers of my action thrillers will be happy to note I haven’t strayed too far from the path, but I’ve also added more of a mystery or suspense element to these new novels to appease readers of regular crime fiction too. The books feature Tess Grey, a medically discharged Sheriff’s deputy, who accepts the job of tracking down a witness on behalf of her local DA’s office. Being from Portland, Maine, in the USA, with a trip to the bayous of Louisiana on the cards, Tess hires the services of renegade ex-con Nicolas “Po” Villere as her guide. They are an odd pairing who should not work together, but the old adage that opposites attract is true in their case. While they search for Crawford Wynne, they too are being hunted, and the two must work together to defeat a determined and sadistic killer. I’m chuffed to see that the reviews Blood Tracks is receiving are MHILTON_350X227_Devils-Anvilgood ones (wipes sweat off brow), and on the strength of the first book have been commissioned to write the second in the series for release in November 2016. Fans of Joe Hunter need not fear, Joe Hunter 11 – No Safe Place – is already in the bag and I’ll have news on its publication soon.

How has the publishing landscape changed since you were first published?

My first book was published in May 2009, and since then I’ve watched the face of publishing change quite dramatically. Just as my debut was hitting the shelves, the financial crash had
just more or less happened and there was a lot of panic and insecurity going on in the publishing industry with smaller publishers disappearing or being snatched up by the large houses. Editors and others working in the industry were making a dash for new more secure positions so there was a period where there was a lack of continuity in publishing for a while. I think my launch (at the time Hodder’s biggest thriller launch off 2009) kind of fizzled instead of getting any major notice. The problem at the time was that the bookshops were all in a panic, with lots closing down and even a chain like Borders disappearing practically overnight. People/authors thought the advent of Amazon would replace sales lost in bricks and mortars stores, but for mid-list authors and those from small independents it wasn’t the case. Ebook sales have never met the early loss of sales of paperbacks for most authors making inroads into the bookshops at that time (some of course have been massively successful via ebook sales, but they’re few and far between by comparison). Also, most of the supermarket chains stopped stocking paperbacks and only took hardbacks from the massive white-collar sellers and celebrities, so it really damaged mid-listers’ sales. Because the opportunities for selling large numbers of paperbacks have disappeared for most authors now, the shape of publishing has definitely changed to match, where the large publishers now throw all their marketing budgets at the sure fire bestsellers and the fad books that come along. Large advances are pretty much a thing of the past (though not totally unknown), and interestingly a lot of new authors signed up these days by the big publishing houses have usually already shown a proven record of sales via Ebooks etc. There have of course been leaps in publishing opportunities for authors who weren’t fortune enough to snag a publishing deal, self-publishing Ebooks and audio books being great examples, and I think it has helped in the rise we are seeing now in some of the independent publishers who are turning out excellent books, and also offering quality material from authors who might not have been given a chance via the traditional route. As an author I see myself as being a hybrid of traditional and indie publishing, so have reaped the benefits of both (but also suffered the failings of both at the same time), so don’t claim that one route is better than the other. Personally my traditionally published books have been my best-sellers and my self-pubbed stuff has failed to find a large audience, so I could argue that the traditional publishing model has been best for me, but that’s all a matter of personal opinion, because the traditional publishers have also shut down my creativity and won’t touch anything I’ve offered them outside of my usual thriller output: to do so I’ve had to take my new series to a different publisher. I understand why, and am not bitter, but at the same time I’m thankful that the self-publishing opportunity is there to get my wilder stuff out there (I also write horror, supernatural and sci-fi novels my usual publisher won’t entertain). So, yeah, in a nutshell, the industry has been good and bad to me in ways, but it is also ever changing and I don’t know what’s around the corner. Who knows, this time next year I might be praising one method over another in direct contrast to what I’d do now. I only hope that I’m still published, and will be happy however the books are making it into the hands of readers.

What do you think the future holds for publishing?

I’m largely speculating here: I think there’s a move afoot from the major publishers to reclaim sales on actual physical books. Whether or not I’m right, I’ve noticed that the prices of Ebooks published by the major publishers and even some of the indie publishing houses have suddenly jumped up in price, and I’ve a feeling this is to make readers think they are better off buying the hard copy rather than a digital download for much the same price. With my latest Joe Hunter novel the hardback was on sale for only a couple of pounds more than the Ebook was, and the Ebook was almost twice the price of the soon to be published paperback – subliminally I guess this might urge some readers to put off buying either the hardback and Ebook and wait for the paperback publication instead. I’m not sure what the thinking is behind this pricing model my publisher has followed (I’ve asked and only got an unclear “let’s wait and see”-type answer) and to be honest haven’t seen an uplift in hardback sales, only a decrease in Ebook sales to date. Hopefully when the paperback does hit the stands it snaps up all those lost sales, but that’s yet to be seen. It’s not only my Ebooks that have been priced highly, I’ve noticed the same to be true for many of the big names, so can only guess it is some kind of combined strategy to take back some of the market dominated by Amazon. As far as the bigger picture is concerned, I see the big publishers/big names continuing to dominate the charts, and getting their books in front of readers, while the mid-listers continue to struggle to get any notice. Saying that, there are a few good independent publishers on their way up, so we are seeing more choice and diversity. Ebooks, I reckon, will continue to sell, but I think the boom times are largely over and those authors making a healthy living off Ebooks might see their income shrink in the coming years. New technology will always appear, and I’m wondering if the next big thing will be audio-visual, or even interactive books, read/played via apps, maybe even with some kind of CG visual tie-ins – I don’t know, maybe I’m looking too far into the future but I can’t imagine it being too far off (just remember you heard it here first – all patents pending), especially for children’s and YA books and for certain genres. As far as physical books are concerned, they’ll still be there, and will be for a long time to come, but whether or not they are the readers’ first go to choice for entertainment remains to be seen.

What else is on the cards for you this year?

For 2016 I hope to see the publication of two books, the first being the eleventh in my Joe Hunter thriller series currently published by Hodder and Stoughton. It’s called “No Safe Place” and this time sees Joe Hunter accepting a job to protect a small boy whose mother was the victim of a house invasion – the trouble is that the boy’s father is objectionable to the idea and doesn’t make Hunter’s job easy, particularly when the father realises Hunter considers him a suspect in his wife’s murder. Previous Hunter novels have been full of slam-bang action, and although there’s still plenty of action in this one, it is with a different and more domestic emphasis. I’m hoping Hunter fans will love what they’ve come to expect from my books, and new readers will be pleasantly surprised and go on to pick up the back list. Also next November (2016) will see publication of Blood Tracks 2 (working title only), with the return of Tess Grey, Nicolas “Po” Villere and the larger than life Pinky Leclerc as they try to locate and save an abducted woman while being caught between three bad guys all with the intention of reaching the girl first for their own reasons. The book is written, and I’m now thinking of penning a couple of standalone short stories or novellas featuring Hunter, Tess and Po, and maybe even another action hero character of mine called Dirk Ramm to fill the void between books. I’m also working on a collaborative effort at the moment, details of which it’s far too early to share, and whether the project gets off the ground or not is still in the lap of the gods. Plus, knowing me, my urge to write something creepy or disturbing will probably rear its ugly head, so don’t be surprised if you see another horror or supernatural tale from me turning up.

Matt thank you for an informative interview.

MHILTON_350X215_Auth-ImgLinks:

Blood Tracks (Tess Grey 1) at Amazon UK and US

The Devil’s Anvil (Joe Hunter 10) at Amazon UK and US

Matt Hilton’s Amazon author page

Find Matt on his website, Facebook, and Twitter @MHiltonauthor

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