Quick Fire At The Slaughterhouse: Interview With Lisa Morton

670x418 Quick Fire photo QuickFireAtTheSlaughterhouse-2-1-1-1-1.png

Lisa Morton is an acclaimed horror writer whose story ‘Tested’ won the Bram Stoker Award for Best Short Fiction, and whose first novella ‘The Lucid Dreaming’ went on to win the Bram Stoker Award for Best Long Fiction. Morton has also had an extensive career in the film industry, in 1979 she worked as a modelmaker on Star Trek: The Motion Picture. She has a new novel out, Netherworld. Lisa met me at The Slaughterhouse, where we talked about fantasy and the multiverse.

Netherworld_350x233_Lisa Morton photo Netherworld_350x233_LisaMorton_zps2226ecac.jpgTell us about Netherworld.

NETHERWORLD is a dark historical fantasy about a British noblewoman, Lady Diana Furnaval, who travels the world in the late nineteenth century fighting evil, both human and supernatural. Along the way she searches for traces of her missing husband, William, who may have been taken to a nightmarish realm called the Netherworld.

To what extent does the idea of a parallel universe play a part in the novel?

The Netherworld is not exactly a parallel universe – the geographic locations don’t match, and time runs differently there – but it is a dimension that sits alongside our own and can be accessed via mysterious gateways scattered around the globe. The Netherworld is a
nightmarish realm where all of our supernatural entities reside, so the areas around the gateways are commonly believed to be haunted in our world.

How Manichean is the universe you have created and what do you think its appeal lies in?

It’s probably not truly Manichean, because I think I show just as much human darkness in our world as supernatural in the Netherworld. One of the things the book is about is how corrupt British imperialism was in the nineteenth century; throughout the course of the tale, my protagonist – a British noblewoman – is awakened to how her country has aggressively traded opium to the Chinese for tea. The horrors of the Netherworld are almost playful by comparison.

What else is on the cards for you this year?

Constable & Robinson. It’s a tie-in to the ZOMBIE APOCALYPSE anthologies edited by Stephen Jones, and it charts the fall of the U.S. capitol during a zombie war. I’m currently working on a non-fiction book about the history of ghosts – this one’s for Reaktion
Books, who published my book TRICK OR TREAT: A HISTORY OF HALLOWEEN.
And of course there’ll be the usual short stories popping up in various books and magazines.

Thank you Lisa for an articulate and succinct interview.

226x300_LisaMorton photo LisaMorton.jpgLinks:

Get a copy of ‘Netherworld’ at Amazon.com and Amazon.co.uk in hardcover, paperback, and Kindle formats

All Lisa’s works, to include her novel ‘The Castle of Los Angeles’, a 2010 Bram Stoker winner, can be found on her website and are listed on Wikipedia.

Follow Lisa on Twitter and Facebook

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4 Responses to Quick Fire At The Slaughterhouse: Interview With Lisa Morton

  1. Interesting idea about the corruption of the nineteenth century. Looking back, we had state-sponsored pirates and armies running around all over the place. “Cause we can” was the mantra of the day. Beneath our present-day lofty claims about “The Law” and “Justice” the same old thing lurks and winks back at us from the shadows.

    It seems like there really is a realm, where the puppet masters pull strings and, cause us to run around like chickens with our heads cut off. In our fiction, we create windows, wherein we can peek behind the curtain.

    And who do we see looking back at us? Hmmm?

    This small interview was very thought-provoking.

    Thanks, Richard and Lisa

  2. Enjoyed very much. Lisa sounds like sure-fire to-be-read author. Thanks!

  3. I really enjoyed this interview with Lisa Morton. Winning two Bram Stoker Awards can’t be easy unless the writer is excellent at her craft. Great going, Lisa! Good interview, Rich.

  4. Miss Alister says:

    Lisa, you have kicked serious tail in your life so far – have an impressive list of accomplishments – and you show no signs of stopping – all this must mean you’re having a blast! Love the cover of Netherworld, it’s truly eye-catching, a boon to the already alluring synopsis.

    Richard, always a pleasure to experience the fruits of your intuitive questioning.

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